Simon Collison

Simon Collison

@colly.com

Creative director & digital designer, human, etc. Music and art as Site Nonsite: https://bsky.app/profile/sitenonsite.com

1.8K followers23 following72 posts

In 2018, I spoke to tech crowds about an “Internet of natural things” and the desire to connect with nature—there was little interest, I was even mocked, and it was healthier to move on. But here we are, young people using phones to enjoy Blue Tits and bird calls. www.theguardian.com/environment/...

theguardian.comGen Z flocks to BirdTok as birding takes flight: ‘It’s a craving for something real’Social media and Shazam-like birdsong apps drawing young people to hobby as they seek a gentler connection to the outside world

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A few people asked, so… Yep, something new is coming next year. An album of personal stories, set within landscapes shaped by politics, society, memory and loss. Some songs are done; others need a little longer. I’m not rushing, because this project means more to me than anything I’ve ever made.

Paid my respects to the Major Oak today, in the kind of weather that’s hastened its demise. I expected to feel sad, but something about its exposed knottiness seemed even more majestic. (For context, here's something I wrote last month: colly.com/journal/the-... )

For over a decade I’ve traded as Obvious Things, a name that’s only really appeared on paperwork. Later this year I’ll finally be launching OT properly as a focused art + design practice, which I’m really excited about. 1/2

In the meantime, I’ve got space for new projects. I help teams look at problems from fresh angles through playful exploration and a wide mix of inputs and cultural context, then turn that into meticulous, detail-oriented direction. If that sounds useful, please give me a shout. 2/2

Paris and Épernay photo dump. Low-effort pics, but @aphera.co has transformed many. I tried the beta months ago but stalled as it was RAW-focused and I'm no pro; now it supports JPG, so I jumped back in and found my flow immediately. A joy to use, will be indispensable. colly.com/journal/pari...

As predicted, our tree has died after 1,000 years. Old age, yes, but too many hot, dry summers accelerated its demise, despite huge efforts by many good people. As a kid in the 70s/80s, that direct link to Robin Hood was so exciting. I always loved it. www.theguardian.com/environment/...

Simon Collison@colly.com

The Major Oak means a lot to us in Notts, and it was upsetting to see such poor leaf coverage (due largely to extreme heat and drought) earlier this month. Huge gratitude to the people working hard to relieve its stress and protect what's left of Sherwood Forest. markavery.info/2025/07/17/r...

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Just a reminder: The Guardian entered a strategic partnership with OpenAI a little while back, so any time you see an article like this from them, you can immediately dismiss it as not credible journalism but just Sam Altman getting his money’s worth.

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Ranging from minor noises and moving objects, to physical harm and even (in the worst cases) possession, investigators have identified seven stages of poltergeist escalation. I've finally finished a new illustration for the Supernatural Detective's Field Guide 😅

supernaturaldetectives.com7 Stages of Poltergeist EscalationPoltergeists are supernatural entities characterized by physical disturbances—escalating from loud noises and moving objects, to physical harm and even (in the worst cases) possession.

Another time-consuming but deeply rewarding home repair. I love this amp far too much to replace it, and there’s no excuse when there’s a detailed YouTube video of a Turkish chap repairing the very same 44-year-old Technics amp. I came close to despair with the input switches, but I bloody did it.

For anyone interested… oxidised contacts causing crackling when adjusting volume and input, resulting in intermittent stereo with frequently channel drop. So, partial breakdown, dissemble switches and faders, remove dirt and oxides with DeoxIT D5 and a razor blade, then lubricate with FaderLube F5.

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Good haul from this Tokyo trip — focused on classic 70s/80s city pop and YMO/Sakamoto, but couldn’t resist the 1978 Japan pressing of The Kick Inside, a 1985 Hounds of Love tape, and that Kid A obi. (See ALT text for details)

Happy Setsubun ("seasonal division," the day before spring in the old Japanese calendar). I was half-blind from staring into the sun, but managed to catch a packet of beans, which should help me ward off a few demons.

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Many Sakamoto moments on this trip. Watched the Tokyo Melody 4K restoration and also got up close with his Fairlight CMI. The highlight was an afternoon at Sakamoto Library (secret location, strictly no photos). Quietly reading a book that I know he cherished and finding his pen notes was moving.

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Spent the day re-recording software piano parts on a lovely Yamaha YU-11 in a tiny Harajuku studio — then went record shopping.

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The one I’ve been waiting for. Colly always puts so much effort in to his end of year roundups, and there’s loads here I’ve not listened to, but will be

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Yet to come down from last night’s Radiohead gig. We were lucky to get codes and decided we’d stump for vip tickets if that’s all there was, and got front row. I’ve seen them several times, including Glasto ‘97, but last night was perfect, the entire band giving everything. Just… wow. Here’s Jonny…

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Side project launch time! This one is for fans of Stars of the Lid & ambient/classical music. I've made a site in @getkirby.com to archive all the live recordings and of act as 'SOTL’ site as none exists. Adam Wiltzie also provided the previously unseen video footage: starsofthelidforever.com

starsofthelidforever.comHomeStars of the Lid Forever is a fan-led project to archive their live recordings from over the years, all compiled in one place for your listening pleasure.

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Having a tape stock sale, from now until end of #BandcampFriday. I've found enough EP tapes to create five bundles — all four tapes (without maps or other extras) for £20 Reductions on everything else: Live at Delia’s £6, Remixed £5, Japan Series compilation £7 sitenonsite.bandcamp.com/merch

Some reflections on the big Goldsworthy show and why I think environmental art creates a necessary dialogue between humanity and nature, inviting us to participate in its cycles, understand its processes, and recognise our place within it. colly.com/journal/andy...

colly.comAndy Goldsworthy: Fifty YearsWays of seeing and feeling that I first learned from land artists have remained invaluable. This extensive show offered a chance to reconnect with one of my favourites.