Daniel Milco

Daniel Milco

@milcod.bsky.social

A betterer bio to come about this curator guy who knows about frocks, social history and general stuff.

211 followers174 following131 posts

Authors, if you see this, it's a sign to post the first line of your book: "The Sixties were over." - Fashion in the 1970s

Einav Rabinovitch-Fox@einavrfox.bsky.social

Authors, if you see this, it’s a sign to post the first line of your book: “Feminism has a long and complex relationship with fashion.” #DressedForFreedom

To be honest, most of my published opening sentences aren't that punchy, I seem to tend towards a quite simple, factual statement, and then build from there. From Edwardian Fashion: "The twentieth century had barely begun when Queen Victoria died on 22 January 1901."

I hadn't seen this before! So unusual for Givenchy, but when you know that #ElsaSchiaparelli was one of his first employers back in the late 40s, it suddenly makes a lot more sense.

Kate Strasdin@katestrasdin.bsky.social

It’s Friday AND it is the end of January which can sometimes feel like a bleak month, so cause for celebration. Givenchy designed this dramatic red gown in the mid 1970s, a surprise of a cut out at the back. Collection unknown if anybody else does?

First thing officially released from its storage unit suitcase and put on a hanger in the Frock Room. A c.1965 jacket made out of a fabulous Bernat Klein velvet tweed, where velvet ribbon was incorporated into the weft.

I have so much to do - cataloguing, documenting, and making individual covers for these items as they come out of storage - as well as sorting better hangers! It's a big project/labour of love but now I'm in my own flat I can work on it properly.

Daniel Milco reposted

There's literally no other reason to be in Leicester Square. We gotta save it!

Marie Le Conte@youngvulgarian.marieleconte.com

oh what the hell? the Prince Charles is at risk because of potential dickhead developers? truly they can fuck all the way off you.38degrees.org.uk/petitions/sa...

I'm sad about this, but what a long and productive life for a creator who was prolific but at the same time, strangely didn't seem to be talked about much. His work was there, his voice compelling, but it felt like nobody really talked about him.

John Allison@badmachinery.com

A long and fascinating read.

#Duolingo, for a while now, has been vilely passive aggressive-ableist towards deaf and/or speechless users, only allowing them to disable speaking/listening challenges for 15 minute periods. It's kinda like a green feathery Baby Jane Hudson mocking Blanche for being wheelchair bound.

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But yes. I actually voluntarily subscribed to #Duolingo back in the day when it was actually good, but the more desperate they get for subscribers, the more they try to hassle sub fees out of you, the more obvious its poor value for money is. Seriously considering dumping the app altogether.

Or maybe I'll just play a single level a day for a bit to see if it gets any better. Meeting 3000 days today is quite an investment in an app that really isn't proving it deserves investment.

#Duolingo, for a while now, has been vilely passive aggressive-ableist towards deaf and/or speechless users, only allowing them to disable speaking/listening challenges for 15 minute periods. It's kinda like a green feathery Baby Jane Hudson mocking Blanche for being wheelchair bound.

I could ignore the ridiculous #Duolingo alerts claiming my friends talk like unreasonable obsessed stalkers. I even got used to the increased illiteracy & poor grammar following the switch to AI translation creating endless errors they refuse to fix or correct, let alone acknowledge.

I'm not shaming them for that frankly bizarre end of year reel featuring multiple very detailed depictions of the Duolingo owl's perky globular butt cheeks, but if they're going to flaunt yiff they could at least provide the translation for it. Even if the German for yiff is still yiff.

I wish the previous owner of my flat had left the user manuals for the heaters they kindly left. Not that the copies I've found online are helping much. I'll work it out, but ooh, it's exasperating. They keep turning off their warmth after a minute.

Well, bugs and frogs. My four books are published by Bloomsbury under the Shire Books umbrella.

Damian Barr@damianbarr.bsky.social

This is huge - amazon to stop selling Bloomsbury's books at midnight tonight. Especially as my first two books are published by....bloomsbury... www.thebookseller.com/news/amazon-...

We are all four of us home, me and the beautiful green ladies. Jean Dessès's c.1958 chiffon pleats jewelled by Maison Lesage had a little peek out of their carrier, while 1937 Vionnet velvet sleeps in its box with a 1930s Ronald Morrel marvel in tender moss silk. Of course I hand-couriered them.

Sorry! Forgot alt text. First pic shows a long dress bag hanging on a wall. The green pleated chiffon dress with beading inside is partly exposed. Second pic is a detail of the bead embroidery on the dress. Third pic shows glimpses of green pintucked silk and rich velvet in tissue paper folds.

We are all four of us home, me and the beautiful green ladies. Jean Dessès's c.1958 chiffon pleats jewelled by Maison Lesage had a little peek out of their carrier, while 1937 Vionnet velvet sleeps in its box with a 1930s Ronald Morrel marvel in tender moss silk. Of course I hand-couriered them.

The Vionnet will always and forever be my most mind blowing charity shop find EVER, and I've found Dior and Babani and other things in charity shops so she's beat off tough competition. I can't wait to show all three off properly once my mannequins get here. It's so exciting to just peep in her box

Also Ronald Morrel is a London couturier who was working alongside Hartnell and Stiebel in Mayfair, but became completely forgotten. This dress is the only surviving piece by him I've seen, and it intrigues me muchly. I thought it was maybe a Patou or Lanvin until I found the label.

Officially transferring the first pieces of my own collection to my new residence. In a way it's rather appropriate that they are three very, very special green dresses - green for go, for growth and new beginnings, and green for the future.

Claire B Shaeffer was one of those researchers who went directly to interrogating the object rather than the literature, which gave her amazing insight into the How? of haute couture (there's a book/show title: How? couture). A genuinely sad loss.

I do wish replying to a reblog on here would go directly to your friend who reblogged it, as sometimes I just want to say something to the person sharing, and it looks like it goes directly as a comment to the original post, excluding your friend.

We can mute specific keywords, but if @bsky.app somehow works out how to, and then provides the ability to mute specific images, then it will literally change the game even more. In other words, I'm sick of seeing that pic of that pathetic pasty plop making his compensating-for-something gesture.

One of the weirdest feelings about moving is realising that once I'm no longer living a life spread around storage units, I'll have so much time in which to do stuff. Research and writing projects and sorting out my own collections of stuff.

Such a wonderful joyous portrait! Extremely high Edwardian style too. The glamorous hat is noticeable of course, but less obvious is the delicate lace that ends the voluminous bow ends, and the subtle refinement of the double tiered cape in a neutral colour. Such a lovely find.

Dr. Justine De Young@addressingart.bsky.social

Been spending a lot of time on auction websites looking for Abbéma works and happened across this unexpected oil by Jules Alexandre Grün titled "Blanche," which is new to me. I wonder who she is? That's a fabulous hat! #arthistory #fashionhistory #skystorians

Hello new adds! I'm realising the best way to find my friends on here is to track down individuals and then check who they're following to see who I know from the other socmeds.

I know of Comme's brilliant dating codes, but this one, the tag with the code was cut so neatly that barely a thread showed on the outside, otherwise I'd have gotten an answer much quicker without resorting to Lens. When I knew where to look, I found this tiny strip deep inside the relevant seam.

Daniel Milco@milcod.bsky.social

I found a Comme des Garcons jacket in a charity shop a couple months ago. Manually searched for its collection with no immediate joy. Google Lens managed to place it to its exact collection and year with only a quick snapshot to go by, in only a few seconds. It gets you thinking.

I found a Comme des Garcons jacket in a charity shop a couple months ago. Manually searched for its collection with no immediate joy. Google Lens managed to place it to its exact collection and year with only a quick snapshot to go by, in only a few seconds. It gets you thinking.

It's only a matter of time until we reach the point of uploading a picture of a collar or a textile, and the computer supplies a long list of cross references showing where it was worn/captured/seen, even if it was barely spotted on someone in the background of a crowd scene in 1948.

I believe we're almost at the point of getting data like "this textile was first seen on a factory loom photographed in Lancashire in 1923" or "This matches a dress worn by an unknown woman in Queen's Camel in 1943." I can't decide if that'd be an amazing research tool, or utterly terrifying.

Placeholder banner pic for now: Balenciaga, Cardin and Courreges pieces from the 1960s on display currently in Adelaide as part of Skye Bartlett's retrospective exhibition of the work of American designer Chester Weinberg

Just followed a bunch of dress and textile history accounts. Now ready to rumble. One of the little books what I wrote below (upon a fabulous Italian miniskirt suit from 1967 that has sadly lost its label but I believe it could be by Mila Schön) #FashionHistory #1960sFashion

So this is Bluesky. From my many recent unaccepted follow requests elsewhere (*hem*Meta*hem*), I know it's obligatory to put your bust out there with a pout and random numbers after your handle. Not my usual style, but I'll do my best. 245778438🫖⬅️(s)pout

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