Ben Towle

Ben Towle

@benzilla.bsky.social

Cartoonist, five-time-time Eisner nominee, programming co-chair Cartoon Crossroads Columbus (CXC), adjunct comics prof @ CCAD, intergalactic trader & general nuisance. Four-Fisted Tales, Oyster War, etc. Columbus, OH (Comics City, USA!)/Palm Springs, CA

3.1K followers1.8K following2K posts

Throwing in an (anthropomorphic) Soundgarden into this In the Weeds scene. They were a fave of mine back in the halcyon days of the 90's. Badmotorfinger rülz, y'all.

At last... the Precious is mine!! Last of the Corto books I need to complete the collection. Have passed on several $100+ ebay listings, but finally found one for a (semi-)reasonable price.

So I finished this a week or so ago. It's a decent overview of his career, but for sure there're some odd choices (IHMO) in what he goes into in-depth vs. what he glosses over. Most notable for me was almost nothing about Year One. And I don't think The Man Without Fear is even mentioned.

He doesn't go into much nuts and bolts process stuff--but that's OK, I guess since you get a ton of him working on camera in the documentary. (He does go about how he loves using a toothbrush to make blood splatters, which made me think of Clowes's Dan Pussey b.c there's some toothbrush inking gag.

So I finished this a week or so ago. It's a decent overview of his career, but for sure there're some odd choices (IHMO) in what he goes into in-depth vs. what he glosses over. Most notable for me was almost nothing about Year One. And I don't think The Man Without Fear is even mentioned.

He does a brief mea culpa for the Holy Terror stuff and mentions alcoholism, but it's pretty scant. He never goes much into his relationship with Varley. Arguably, this is personal stuff/not the subject matter...but notable through its absence.

Finished this today! Lots of great insights—even for someone like me who's been doing this for <sigh> a couple of decades. This one piece of advice in particular is sadly always in need of pointing out. cc @sxbond.bsky.social

Flipping through an old Simonson Superman comic during World Series commercial breaks. Man, I love this "repeated figure" way of showing movement/time passing.

Ben Towle reposted

The rising costs detailed here apply mostly to mainstream cons. Indie cons are getting out of hand, too. I only attend either if all my costs are paid. But I'm a prima donna, and I don't need con income. If I was still hitting the road trying to make a name, yeah it would tough.

comicsbeat.comIs Artist Alley even sustainable any more?It's more expensive than ever to set up in artist alley or at a comics show - and here are some of the numbers

Just finished this--a good read! Especially in light of the ‘Art of Manga’ show now being at the Brooklyn Museum. (Which you should absolutely see BTW. Saw it in SF.)

Matt Alt@mattalt.bsky.social

My latest essay, for Art Basel, takes a look at the recent boom for manga exhibitions at museums and art galleries abroad. It might surprise you to hear that this treatment would have shocked Japanese citizens even just a few decades ago. www.artbasel.com/stories/japa...

Was driving through Lancaster, OH not too long ago and passed by this sign. Had no idea Outcault was from OH. Seems like 90% of early 20th century cartoonists have some kinda OH connection.

And Eddie Campbell has been working on a follow-up to The Goat-Getters: The History of Mid-Western Cartooning. Can't find any mention of it online, but he's been hand-selling them at shows. I got one at SDCC last year. It's great!

Was driving through Lancaster, OH not too long ago and passed by this sign. Had no idea Outcault was from OH. Seems like 90% of early 20th century cartoonists have some kinda OH connection.

Just finished reading this--fascinating stuff on the origin and rise in popularity of pantomime comics. Especially interesting to me is stuff towards the end about the influence of photography on cartooning--something I poked around into for the Motion Lines exhibit I co-curated at the Billy.

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Going through our flat file of originals as we move out of our house for a big renovation project. Fun to see all of this stuff. Here's easily my fave thing we have in the collection: one of E.C. Segar's sketchbooks--probably late era, '36 maybe?

Last batch for now--gotta get back to packing 😢. Here's a page by a young Jean-Claude Mézières--his first SF comic. Also a Crumb from an early travel assignment via Kurtzman's HELP magazine. And beautiful Usagi Yojimbo cover.

Going through our flat file of originals as we move out of our house for a big renovation project. Fun to see all of this stuff. Here's easily my fave thing we have in the collection: one of E.C. Segar's sketchbooks--probably late era, '36 maybe?

Some more random stuff: a Hiroshi Kaizuka baseball manga page, a great Nancy original, and a couple of American Splendor spreads.

Fantastic news! Excited about having an Angoulême festival again. That said, I dunno if I'm gonna necessarily make the trek for the inaugural event. Too many variables--chief among them the near-impossibility of pulling off an Angoulême-scale event w less than a year's planning.

So this seems weird. Had always heard that Mobius insisted on lettering Silver Surfer Parable himself. I think there's even a passage in the trade paper back by him stressing how important it is to letter your own work . Yet apparently the French version was handed off to a letterer?

Saw this show in SF and it was great. But I'm baffled that this writeup from The *Art* Newspaper fails to engage with--or even mention--that a lot of the art on display is digital prints. (From artists who work digitally--not repros of originals, thankfully) www.theartnewspaper.com/2026/10/05/b...

theartnewspaper.comComment | The Brooklyn Museum’s manga exhibition reveals the opportunities and challenges of tackling a global phenomenonThe Japanese art form has a fervent and wide-reaching community around it, which the New York museum has incorporated in its process

As more and more cartoonists move to digital drawing tools, the lack of an actual original that can be stuck on a museum wall is something that institutions--museums, art critics, etc.--are gonna need to engage with and figure out.

I know everyone cites the last C&H and the last Peanuts strips as greatest final strips of all time, but don't sleep on the final Cathy.

Ben Towle reposted

I never get tired of looking at Steve Ditko's work on Black Fury. His rendering approach in these strips is so elegant. Black Fury has no texture at all - he's only depicted as streaks of solid black, and resembles an obsidian statue come to life. He looks so powerful!

This really should be the next "yes... haha... yes"/sickos

The Onion@theonion.com

This Weeks Editorial Cartoon: Hiding in Plane Sight https://theonion.com/hiding-in-plane-sight/

⚾🔥⚾🔥⚾🔥 #GoGuards

Tim Stebbins@timstebbins.bsky.social

10 strikeouts for Gavin Williams. Fourth instance in Cleveland postseason history -Bartolo Colon: Game 1, 2001 ALDS (10) -Bartolo Colon: Game 1, 1999 ALDS (11) -Charles Nagy: Game 4, 1996 ALDS (12)

Been reading my way through this since it showed up yesterday. Fascinating stuff--looking forward to the whole series! (Well worth a Patreon subscription if, like me, you're a spaceship design nerd!) Had no idea Chris Foss was so involved in Alien initially.

The Spaceshipper 🚀@thespaceshipper.com

Here comes the first part of a new series of articles published on my Patreon: The design and making of ALL the spaceships in the Alien saga, starting with those from the very first movie: the Nostromo, the Narcissus, and the Derelict. This first article is open to everyone. Enjoy!

Wait... is the gag here that the parrot has heard Ian in the throes of ecstasy w Mary Worth? If so: (a) yuck, (b) that's actually a pretty funny gag.

A while ago I got asked by a newspaper writer to comment on the weirdness of Steve Ditko's artwork. He used pretty much none of my response... but I posted it on my blog. Check it out, Ditko heads! #Ditko #Comics www.benzilla.com/?p=8080

benzilla.comWhy is Steve Ditko’s Art so Weird-Looking?I recently received an inquiry from a writer at the Daily Telegraph, asking me a few questions about Steve Ditko’s art style for an article he was working on–presumably to coincide with…