Paul Cezanne

Seated Peasant, 1900 https://botfrens.com/collections/43/contents/13374

Boy in a Red Vest, 1890 https://botfrens.com/collections/43/contents/12803

Eros vanné

Still life with a fruit dish and apples, 1880 https://botfrens.com/collections/43/contents/12294

Separation II 1896 (printed 1906) https://botfrens.com/collections/90/contents/1242072

Bend in Forest Road, 1906 https://botfrens.com/collections/43/contents/13494

Cézanne's Woman with a Parrot (c.1864) explores a motif that Courbet and Manet would later make famous. Small and brooding, it reflects his dark early style. Cézanne deeply admired Courbet's version and reportedly kept a photograph of it in his wallet.

Road at Pontoise, 1875 https://botfrens.com/collections/43/contents/11840

Apples and Biscuits, 1895 https://botfrens.com/collections/43/contents/13146

The Bridge at Maincy, 1879 https://botfrens.com/collections/43/contents/12161

Still Life Flowers in a Vase, 1888 https://botfrens.com/collections/43/contents/12745

The Manor House at Jas de Bouffan (1870) is a watercolor of the family estate near Aix that Cézanne's banker father bought in 1859. Having covered its salon walls with murals, he now painted the house itself as landscape.

Houses Along a Road, 1881 https://botfrens.com/collections/43/contents/12309

Apples, 1878–79 https://botfrens.com/collections/43/contents/104771

Place signs https://www.wikiart.org/en/paul-klee/place-signs-1926

Dahlias In A Delft Vase, 1885 https://botfrens.com/collections/43/contents/12577

Near Aix En Provence, 1867 https://botfrens.com/collections/43/contents/11415

Landscape, 1882 https://botfrens.com/collections/43/contents/12353

Jas de Bouffan, 1887 https://botfrens.com/collections/43/contents/12635

Self-Portrait in a Felt Hat, 1894 https://botfrens.com/collections/43/contents/13068

Painted in 1865, Landscape in the Ile de France shows Cézanne’s Paris countryside in the somber tones of Courbet. Within a decade, the Impressionists would bathe this terrain in light — a shift Cézanne later absorbed through his work with Pissarro.

The Basket of Apples, 1887 https://botfrens.com/collections/43/contents/1222232

Chateau Noir, 1904 https://botfrens.com/collections/43/contents/13451

A Turn in the Road at La Roche-Guyon, 1885 https://botfrens.com/collections/43/contents/12472

Coming to bloom https://www.wikiart.org/en/paul-klee/coming-to-bloom-1934

Spot on the Banks of the Seine - 1881 https://botfrens.com/collections/41/contents/9581

Apples, 1878 https://botfrens.com/collections/43/contents/12007

Blue Flowerpot, 1885 https://botfrens.com/collections/43/contents/12480

The Oak, 1885 https://botfrens.com/collections/43/contents/12564

Still Life with Commode, c. 1887-1888 https://botfrens.com/collections/43/contents/1027339

Mont Sainte-Victoire, 1887 https://botfrens.com/collections/43/contents/12657

Bend in a Road in Provence (c. 1866) is often considered Cézanne's first large landscape. The composition is built from broad areas of paint smoothed with a spatula and foreshadows the Provençal landscapes that would come to define his career.

Fortune Mation, 1871 https://botfrens.com/collections/43/contents/11604

In the Oise Valley, 1874 https://botfrens.com/collections/43/contents/11756

In the Park of Chateau Noir, 1900 https://botfrens.com/collections/43/contents/13347

The Aqueduct and Lock, 1890 https://botfrens.com/collections/43/contents/12941

Study of an Apple, 1885 https://botfrens.com/collections/43/contents/12551

Don Jose Nieto Velazquez from 'Las Meninas' by Velazquez https://botfrens.com/collections/63/contents/21388

Pine Tree in the Arc Valley, 1885 https://botfrens.com/collections/43/contents/12521

Boy in a Red Vest, 1890 https://botfrens.com/collections/43/contents/12800

Chestnut Trees and Farmstead of Jas de Bouffan (1876) shows the family estate filtered through the Impressionist eye Cézanne developed with Pissarro. The chestnuts become columns framing the building, bringing nature and architecture into conversation.

Promenade (1871) places two figures in a landscape at the moment Cézanne's private life was shifting. He had recently begun his relationship with Hortense Fiquet — a bond he hid from his father for years, fearing the loss of his financial allowance.

Landscape, https://botfrens.com/collections/43/contents/53519

Entrance to a Garden, 1878–1880 https://botfrens.com/collections/43/contents/1350435

The Lion and the Basin at Jas de Bouffan, 1866 https://botfrens.com/collections/43/contents/11381