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Andrew West 魏安
Andrew West 魏安
@babelstone.co.uk
Independent researcher of Tangut, Khitan, and Jurchen. Developer of BabelPad and BabelMap. Maintainer of BabelStone Han font. Responsible for adding over 10,000 characters to the Unicode Standard. https://orcid.org/0000-0002-2063-7389
1.6K followers437 following788 posts
It is with great sadness and a heavy heart that we, the family of Andrew West, confirm his peaceful passing on 10th July 2025. The BabelStone legacy will be continued by colleagues and friends. corp.unicode.org/pipermail/un...
My reconstruction and identification of a partially-preserved Tangut character in a unique fragment of the Homophones text held at the British Library www.unicode.org/wg2/docs/n53...
First step towards the encoding of Jurchen *small script* characters, by @cosmicore.bsky.social and myself www.unicode.org/wg2/docs/n53...
When I was in Lhasa in Spring 1985 I witnessed a sky burial. Below are a selection of photographs I took (with permission, and only after the vultures had been summoned) using poor quality Chinese film after finishing my supply of Fujifilm.
The site of the sky burial is near Sera Monastery, and brightly-painted Buddhist paintings adorn the nearby rocks, prominently featuring Yama, god of death, with the head of a buffalo, holding a skull-tipped club in his right hand and a lasso in his left hand, standing on a bull.
When I was in Lhasa in Spring 1985 I witnessed a sky burial. Below are a selection of photographs I took (with permission, and only after the vultures had been summoned) using poor quality Chinese film after finishing my supply of Fujifilm.
The site of the sky burial is near Sera Monastery, and brightly-painted Buddhist paintings adorn the nearby rocks, prominently featuring Yama, god of death, with the head of a buffalo, holding a skull-tipped club in his right hand and a lasso in his left hand, standing on a bull.
When I was in Lhasa in Spring 1985 I witnessed a sky burial. Below are a selection of photographs I took (with permission, and only after the vultures had been summoned) using poor quality Chinese film after finishing my supply of Fujifilm.
The site of the sky burial is near Sera Monastery, and brightly-painted Buddhist paintings adorn the nearby rocks, prominently featuring Yama, god of death, with the head of a buffalo, holding a skull-tipped club in his right hand and a lasso in his left hand, standing on a bull.
When I was in Lhasa in Spring 1985 I witnessed a sky burial. Below are a selection of photographs I took (with permission, and only after the vultures had been summoned) using poor quality Chinese film after finishing my supply of Fujifilm.
The site of the sky burial is near Sera Monastery, and brightly-painted Buddhist paintings adorn the nearby rocks, prominently featuring Yama, god of death, with the head of a buffalo, holding a skull-tipped club in his right hand and a lasso in his left hand, standing on a bull.
When I was in Lhasa in Spring 1985 I witnessed a sky burial. Below are a selection of photographs I took (with permission, and only after the vultures had been summoned) using poor quality Chinese film after finishing my supply of Fujifilm.
The site of the sky burial is near Sera Monastery, and brightly-painted Buddhist paintings adorn the nearby rocks, prominently featuring Yama, god of death, with the head of a buffalo, holding a skull-tipped club in his right hand and a lasso in his left hand, standing on a bull.
When I was in Lhasa in Spring 1985 I witnessed a sky burial. Below are a selection of photographs I took (with permission, and only after the vultures had been summoned) using poor quality Chinese film after finishing my supply of Fujifilm.
The site of the sky burial is near Sera Monastery, and brightly-painted Buddhist paintings adorn the nearby rocks, prominently featuring Yama, god of death, with the head of a buffalo, holding a skull-tipped club in his right hand and a lasso in his left hand, standing on a bull.
One day in Lhasa I bumped into this guy who was a passenger on one of the other trucks from Chengdu to Lhasa, and I spent half a day taking photos of him posing all around town. The photos are not great as they are taken on cheap Chinese film, but there is a certain charm to them.
My travel companion posing with a group of pack dzo (yak-cattle crossbreeds).
One day in Lhasa I bumped into this guy who was a passenger on one of the other trucks from Chengdu to Lhasa, and I spent half a day taking photos of him posing all around town. The photos are not great as they are taken on cheap Chinese film, but there is a certain charm to them.
My travel companion posing with a group of pack dzo (yak-cattle crossbreeds).
One day in Lhasa I bumped into this guy who was a passenger on one of the other trucks from Chengdu to Lhasa, and I spent half a day taking photos of him posing all around town. The photos are not great as they are taken on cheap Chinese film, but there is a certain charm to them.
My travel companion posing with a group of pack dzo (yak-cattle crossbreeds).
One day in Lhasa I bumped into this guy who was a passenger on one of the other trucks from Chengdu to Lhasa, and I spent half a day taking photos of him posing all around town. The photos are not great as they are taken on cheap Chinese film, but there is a certain charm to them.
My travel companion posing with a group of pack dzo (yak-cattle crossbreeds).