Post

btw

The Spaceshipper 🚀@thespaceshipper.com

[Upcoming book] The Fifth Element: A Visual Retrospective (September, @titanbooks.bsky.social) by Patrice Girod (Lucasfilm Magazine) and Arnaud Grunberg (Starfix Museum) “This book will be like having a Fifth Element gallery exhibition in your very hands.”

The Fifth Element is really popular. Okay, let's start a thread. 🚨 Note: no one forgets Luc Besson's behavior, but this thread is about the creation of this film (whose script bears the mark of its creator, in fantastic and/or bad ways).

Luc Besson began to imagine this story in the 1970s. It should be noted that this film had a first life in 1991-1992, when Jean "Moebius" Giraud, Jean-Claude Mézières, Patrice Garcia, and more fantastic artists started to draw this universe. Diva Plavalaguna, early design by Jean-Claude Mézières:

The project was stopped in 1992 for budget reasons. It was only after the success of Leon: The Professional (1994), and the unexpected arrival of Bruce Willis that the film was made. The first version of this movie will be the subject of one of my next articles on my Patreon. Research done.

Mézières: "If some drawings did not find their use (...), some received a luxury treatment: this gouache showing a general view of his New York of the XXIIIth century had pleased Luc Besson who said to me: "That, you can be sure, you will see it on the screen."

You know I have a very long piece on this kind of secrets, right?

The Spaceshipper 🚀@thespaceshipper.com

Happy Easter! So, just a reminder that I once did a long, in-depth look at Easter eggs in sci-fi. 🚀 Unfortunately, I haven’t been able to update that piece for four years due to a Patreon bug, so this year I plan to start over with a much more comprehensive series of articles.

The NYC chase scene, prefiguring the Coruscant chase in Attack of the Clones (2002), mixes BIG skyscrapers models, hero vehicle miniatures, and CG cars in the background. Mark Stetson (Blade Runner, LOTR) was VFX supervisor.

Fun fact: the original script was titled Zaltman Bléros (the og name of Korben Dallas). He worked in a spaceship factory. A wink was *almost* included in the movie: A "Zaltman G. Bleros" Multi Pass. ▶️ It's the legendary creature design supervisor Nick Dudman! (Batman, Harry Potter, Alien 3, SW)

Jean 'Moebius' Giraud (1938-2012): "Collaborating on a project with a team is a shared effort and a constant stimulation. There is a “reassuring” side to working for someone; I find it less stressful. Basically, you’re not alone." Spaceship design by Moebius:

7 reposts113 likes

VFX supervisor Mark Stetson: "The movie's design was heavily influenced by the look of Seventies' French comic books, which made it really fun to work on. Although part of it takes place in a futuristic New York City, I think the setting is quite different from the Los Angeles of Blade Runner."

Mark Stetson had closed Stetson Visual Services just before The Fifth Element. His previous work was the tanker in Waterworld. He joined Digital Domain for The Fifth Element. Hello bigatures!

The Spaceshipper 🚀@thespaceshipper.com

Since I was asked, you can call large miniatures "bigatures". That's how I classify them (and I'm not alone, as it was apparently coined by Weta Workshop during the making of the Lord of the Rings trilogy).

Stetson (to ASC): "The flying cars are a lot more whimsical, and the city is set in broad daylight. The film is rooted in a much more utopian vision of the future than Blade Runner, which virtually defined the post-apocalyptic look of futuristic films for more than a decade."

This is one of those movies that, like Alien and Aliens, the production design is so good and well thought out it never seems like it ages. This still looks like the future, with enough grime to seem real. It's aging like wine.