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Julian Fellowes’s 19th-century drama is still a festival of overacting and narrative absurdity, yet it feels increasingly clever in its theatricality—and Carrie Coon remains a marvel. on.wsj.com/4zO3JVy

on.wsj.com‘The Gilded Age’ Season 4 Review: HBO’s Sly Soap OperaJulian Fellowes’s 19th-century drama is still a festival of overacting and narrative absurdity, yet it feels increasingly clever in its theatricality—and Carrie Coon remains a marvel.

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