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one thing i noticed at the art crawl this year is a number of fine artists using LLMs in their work. i spoke with one painter who said their neighbor had used mj to "recreate his style." I asked "how does that sit with you?" and he kind of waved over his face and said, "yeah, it's not... this/me"

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I bought 2 paintings. Went to pick them up later and we talked more about generative art (of which I created a lot of in the early 2000s: processing!) and reactive music. He shared a bit of the story behind the work, getting excited to share some of his history. I felt enriched by this connection.

But he also had a lot of very fuzzy understanding of how LLMs work and we talked a bit on that (no, they aren't autonomously deciding to hack the world, etc.). It's making me aware that it's irresponsible to try to yell at people for using AI. It's happening, and w/the most expressive and creative.

But it's interesting to me how unfazed these artists are by it. To artists it IS simply a tool. To programmers and computer graphics producers, it's more of the entire production line. If you are fully tokenized, you are absolutely comprised and should probably start making art in earnest today.

That being said, I remain unsurprised that even creative people use extractive corporate technology w/o much of a second thought to the meaning behind these tokens. But I'm finding it harder to blame them considering the obfuscation of tokenization. What is *in* a token exactly? What is consumed?

> How..? as far as I've seen: exploration, seeing what happens with feeding image models their work, creating 3D imagery to support their sculpture work, etc. some going to far as to use generative art for flyers, which I personally find offputting. > What...? Midjourney. Wasn't the artist.

Thank you. I was envisioning some kind of paint-by-numbers horror and am glad to hear that isn't the case. Still, surprised actual artists would make flyers that way.