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objkt
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✦ ON OBJKT AND BEYOND ✦ Frieze week takes us beyond Regent’s Park: OONA’s wedding, Vera Molnár’s influence at the V&A, and conversations about collecting. Here’s where those London moments meet artists and work on objkt. ↓

objkt
@objkt.com

✦ On 16 October, OONA stages her wedding to David, a live performance bringing OONA’s Dear David: A Surveillance Love Story to its final chapter. The event is presented by HERVISIONS, The Second-Guess, and Shoreditch Arts Club. Dear David is powered by Art on Tezos. RSVP: luma.com/tkyu68yk

luma.comThe Wedding Of OONA & David - TIL The Cameras Do Us Part · LumaThe event is presented by HERVISIONS, The Second-Guess, and Shoreditch Arts Club. Dear David is powered by Art on Tezos. On October 16 in London, THE WEDDING:…
objkt
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✦ “Dear David, I Do. Do You?” launched on objkt on 13 October, curated by Anika Meier for The Second-Guess. Its Blackfriars proposal asks what consent means in a relationship you never chose. 11,250 ꜩ in sales as reported on X. objkt.com/collections...

objkt.comDear David, I Do. Do You?At Blackfriars station, OONA waits in bridal white, holding a sign reading “David?” In the TfL network he manages, she proposes to David, bringing their surveillance love story Dear David to its final chapter.

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objkt
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✦ From Reas’s “MicroImage” (2002) at the V&A to “CENTURY-XXX-METAJUDD” (2025) on objkt one: his software sketches revisit art history through motion and variation. METAJUDD pays homage to Donald Judd. objkt.com/collections...

objkt.comCENTURY-XXX-METAJUDDCENTURY-XXX-METAJUDD is an homage to Untitled (1992–1993/2020) by Donald Judd. 4 of 5 in CENTURY-XXX, Series 2 Edition of 128 CENTURY-XXX is a series of software sketches that pay tribute to artists of the 20th century. Each piece is named after a specific artist and reimagines one of their original works through code, often by adding motion, variation, or interactive elements. These sketches don’t replicate the original artworks but instead extend their core ideas into new forms. By “software sketch,” I mean something more informal than a finished artwork. While some of my projects take months or even years to complete, these sketches are created quickly—often in just a few days. They may be lighter in process, but they’re equally important to me. Sketching with code is how I think through ideas and discover new directions for future work. The project began with the CENTURY exhibition at DAM Projects in Berlin in fall 2012, where I premiered Network C, Network D, and the first Sig
objkt
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✦ William Mapan’s “Dragons” grew from flowing lines that began to suggest claws and scales. Our objktor article follows the process—and how Molnár and Manfred Mohr helped him recognise his practice as generative art. blog.objkt.com/post/yllzly...

blog.objkt.comWilliam Mapan: Dragons — objktorDragons, in folklore, are creatures that exist at the border between the known and the unknown — powerful beings that cannot be fully controlled. In Mapan’s series, the role of the dragon is played by the algorithm.
objkt
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✦ John Sears joins the Art Business Conference’s collectors panel on Friday at 14:30 London time. Our first Collector of the Week guest spoke of passing his collection to his children, together with the stories around it. Revisit: x.com/objktcom/st...

x.comobjkt (@objktcom) on XCollector of the Week #1 | @jdsears 🖼️✨ Kicking off this new content series on objkt, each week we’ll highlight a different patron of the arts on our platform. Our first guest is John Sears. Ch…
QUAX World
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The moment flowing lines suggest claws is where a generative rule becomes a collaborator: the system offers a shape, but recognition selects the creature. Variation supplies possibility; judgment gives it a name.