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Picked up a copy of "Hyperpolitics" on a whim after seeing it promoted all over the place and I can only conclude that Verso have an amazing marketing department because there's not much substance here and the evidence base is weak.

The book has had glowing write-ups in various papers and magazines and the author was just interviewed on Ezra Klein's New York Times podcast. Apparently, a lot of people on the left have taken note of it.

So what's it about? Good question. The author affects a prose style common to some left-wing writers which includes: 1) Adjectives in place of nouns [e.g. "metaphorics" instead of "metaphors"] 2) Long words over short ones 3) Lots of French expressions All of this obfuscates his argument.

As a result, it's hard to know what "hyperpolitics" really means. You have to chase it down. Of course, that makes it hard to argue against because the author can just say "you haven't understood it". E.g. here's the thesis statement, which does not define hyperpolitics at all.

In my view, this is bad. Authors share a common budget with their readers. You either work to make your writing clear or you shift the burden onto the reader to work out what the hell you meant. I think most would agree that you do your reader a disservice by expecting them to do most of the work.

As for the evidence, the author draws on all sorts of stuff in the book, mainly contemporary history and literature. But he introduces his thesis by referencing this figure, which purports to show politicisation and institutionalisation over time.

I was curious about this plot because 1) there was no label on the y-axis 2) the institutionalisation series is too smooth 3) the politicisation series spikes so much towards the end that it clearly lacks face validity. So I wanted to know where these data came from.

Turns out, the author just ... made them up 🤷‍♂️. I can't get over this. It really doesn't seem ok to me for someone to draw some squiggles, claim that they're illustrative of something in the real world, then act as though it's akin to evidence. The vibes you feel aren't data!

I stopped reading that Goodhart book 'The Road to Somewhere' about 10 pages in when he cited a Daily Mail poll as evidence for one of his opening arguments. But he never just made something up for the first figure, FFS.

Yeah, it's really egregious. There's another part where he discusses the way the plots of Michel Houellebecq's novels change over time as evidence of the various transitions he discusses. Again, the subject of one man's novels won't sustain an argument about the real world!

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This was a pet peeve from early in the Text as Data conference times: you can absolutely do social network analyses of the characters in C19 novels but don't try to use them to persuade me of something about C19 society.

I was like, that excerpt is indicative of someone who has read a sampling of continental philosophy without understanding any of it, beginning with both German and Hegel, JFC Houellebecq fell deeper into the manosphere, still manages to be a good writer, deep thought, my dude