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Painting above is "Rocky Bay South of Salerno with View of Capri": hvrd.art/o/165005 D+G quote Henry James saying Decamps "painted, not the thing regarded, but the thing remembered." I chose Rocky Bay because they contrast Decamps' style with that of Aimé Civiale's 1866 Alps photos:
Jan von Brevern wrote about Civiale: doi.org/10.1017/S026... Civiale tried to comprehensively document the Alps in 40 panoramas, over 600 photos. Brevern highlights the utility of the "unexpected" in scientific photos, as supplement to "objective." He took this pic of the pano above:
Eastman Museum has a good collection of digitized Civiale photos: collections.eastman.org/advancedsear...
Brevern also includes this interesting pair of photographs used by Alexander Nasmyth in 1874. Meant to illustrate the early 19th c. geological theory that mountains came from a cooling/shrinking/buckling Earth. This was likened to an aging hand or drying apple.
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And somehow my rabbit holes always brings me back to the Moon, even when I least expect it. That image comes from Nasmyth and Carpenters book "The Moon: Considered as a Planet, a World, and a Satellite." archive.org/details/moon...